Also see and contrast The Villain Makes the Plot. Fire has yet to figure out that his own premature gloating is the only thing that keeps saving his would-be victims.
Should yawn [gape] at alteration. Now that she is dead, he feels that a great darkness should descend from an eclipse of the sun and moon, and that the earth, seeing this "alteration" should split open. He tells her to come in, but then tells her to wait.
When Emilia delivers the news that Cassio has killed Roderigo. Emilia asks what that was, and Othello again pretends total ignorance. Emilia also urges Desdemona to say more, and Desdemona responds, "A guiltless death I die" 5. Emilia asks her who has done this to her, and Desdemona answers, "Nobody; I myself.
He pretends surprise that she has been murdered, then says to Emilia, "You heard her say herself, it was not I" 5. Emilia confirms it, saying, "She said so; I must needs report the truth" 5.
Othello now has a witness to his innocence, so Desdemona has succeeded in protecting her husband, but in a minute Othello will throw away that protection. For a few moments Othello has been pretending ignorance and surprise, as though he wanted to get away with the murder of his wife.
And he sent her there, where she belongs. Emilia shoots back, "Thou dost belie her, and thou art a devil" 5. Then, to prove his point, Othello says, "Cassio did top her; ask thy husband else" 5. Four times she asks if her husband said that Desdemona was an adulterer, and each time Othello answers that he did.
Othello, on the other hand, thinks that she should believe whatever came from her husband, and he describes him as "My friend, thy husband, honest, honest Iago" 5. In her anger, Emilia has just delivered a powerful insult. Perhaps the insult is also racist, and she means that Othello is filthy because he is black.
Naturally, this angers Othello, who makes a gesture -- perhaps puts a hand on his sword -- that Emilia takes to be threatening. She defies him, saying, "Do thy worst!
In other words, she can handle twice as much as whatever he dishes out. Then she calls him three kinds of fool, and swears that she will make his crime known, which she immediately proceeds to do by shouting "Help!
Enter Montano, Gratiano, Iago, and others: Gratiano also asks what the matter is, and he, too, is ignored by Emilia. Vehemently she demands that Iago prove Othello a liar.
If he lies and says that he never said anything about Desdemona, Othello would probably kill him on the spot. This time, he has to tell the truth, and he does.Iago has shown that he is the ultimate villain because he uses his persuasion and knowledge to control human emotions, because of this Iago can do anything to Othello which is why he is the ultimate villain.
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. –). Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona.
Iago is one of the most notorious and mysterious villains of all time—it's no accident that the hyper-annoying and malicious sidekick to Jafar in Disney's Aladdin was named Iago.
But unlike Aladdin's cartoon parrot, Iago is nobody's sidekick. I, Iago: A Novel [Nicole Galland] on initiativeblog.com *FREE* shipping on qualifying offers.
“Nicole Galland is exceptionally well versed in the fine nuances of storytelling.” — St. Petersburg Times “Galland has an exceptional gift.” —Neal Stephenson The critically acclaimed author of The Fool's Tale. Iago - Othello’s ensign (a job also known as an ancient or standard-bearer), and the villain of the initiativeblog.com is twenty-eight years old.
While his ostensible reason for desiring Othello’s demise is that he has been passed over for promotion to lieutenant, Iago’s motivations are never very clearly expressed and seem to originate in an obsessive, . Iago, the villain Motivation The malevolence which guides Iago seems far in excess of the motivation he declares to Roderigo, that he has been overlooked for promotion by his commanding officer, Othello, who has instead promoted a ‘desk-officer’ (Cassio) (Act 1 Scene 1).